The duo walks straight straight straight straight down memory lane to supply insights in their characters, approach to function and a crucial assessment regarding the other as being a Kuchipudi artiste
Vyjayanthi Kashi and Prateeksha Kashi share a relationship which includes facets that are many guru and shishya, co-performers on phase and mom and child. Whenever Prateeksha performed a Kuchipudi solamente in the Soorya Festival within the Parampara show, where young dancers spend their tribute for their experts, and Vyjayanthi dparampara — the tradition — alive.
A free-flowing discussion with the duo had not been just a stroll down memory lane but additionally offered insights to their characters, approach to function and a vital assessment regarding the other as a Kuchipudi artiste.
Vyjayanthi used Kuchipudi at time as soon as the trained in while the training of this party type ended up being confined primarily to Andhraites. The dancer, who had learnt Bharatanatyam, desired to pursue a dance field that is different. Using motivation from an aunt that has pursued Odissi, Vyjayanthi made a decision to learn the party type. She later made a decision to train under Kuchipudi Guru CR Acharya after viewing him perform Chitra Natyam.
“He used to phone me personally their dance daughter! ” says Vyjayanthi having a laugh, as she remembers the gurus whom moulded her — Ramanna, Vedantam Prahlada Sarma, Korada Narasimha Rao, Satyanarayana Sarma and Vempatti Chinnasatyam and others.
For Prateeksha, it had been a story that is different. She have been viewing and dance that is absorbing her house. But, whenever it stumbled on learning a party kind, her mom left the decision to her — along with her option ended up being Odissi! “But I discovered it too tough to discover; the instructor had been strict and irregular. It a miss, ” says Prateeksha, who went back to Kuchipudi so I decided to give.
Although to start with she ended up being playful and nasty during her classes, seeing a lot more of her mom within the Guru, she matured to the part of the serious pupil over many years.
Vyjayanthi Kashi and child Prateeksha Kashi | picture Credit: Unique arrangement
Now, as a true title to take into consideration, how exactly does Prateeksha see by herself? “I am nevertheless attempting to soak up whenever you can from my mom. While planning for a brand new manufacturing, she constantly seeks my views and lets me experiment. During the minute, i will be pleased to simply take motivation from her work. This woman is overseeing could work I can venture on my own, ” says Prateeksha until I get a firm foothold, when.
Vyjayanthi has established unique productions that feature the duo that is mother-daughter. One of these, on the basis of the colour red, had been presented recently in america and Canada. “Red evokes emotions that are different’ says Prateeksha, elaborating in the theme. “The red bindi and also the gown associated with bride evoke shringara, while for small Prahlada, the red bloodstream gushing away from Hiranyakashyap, killed by Narasimha, create fear, bhayanaka. Hence, for the presentation, we linked red to the navarasas. ”
‘Antaranga tharanga’ is a manufacturing in line with the theme of motherly love. With Sita along with her mom, Bhoomi Devi, given that primary figures, this dance assumes on another hue completely whenever done because of the mom therefore the child.
Therefore, what truly is it like to do together on phase? There was synergy that is tremendous agrees the duo. “Sometimes, I notice Prateeksha emoting in brand new methods that can come as a wonderful surprise, ” claims Vyjayanthi, incorporating that all student has her/his very very own unique method of expressing a bhava.
The aspect that she admires many inside her child may be the lasya inside her party. “This is probably because she’s got a lady guru, whereas i have already been trained mostly by male experts additionally the thandava comes easily in my experience, ” says Vyjayanthi. She continues on to express her daughter’s subtlety and the nuances she gives to her expressions that she loves.
Prateeksha, on the component, admires her mother’s spontaneity that often challenges her whenever she executes alongside. She also appreciates Vyjayanthi’s participation with any character, from the comfort of whenever a production is conceptualised. “She will soon be thinking, getting a few variations associated with script and accepting it only if it reflects what she would like to convey, ” says Prateeksha.
One notices the section of spirituality and insights that are philosophical Vyjayanthi imparts to her productions. “It arises from my experience. The virtue and goodness besides, the very purpose of art is to convey the sattva. Without sattva, there’s absolutely no party. The thing I attempt to do would be to have a subject that is spiritual interpret it in a modern way to get in touch with the viewers, ” concludes Vyjayanthi.
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